craft

An open book sitting on top of a table, its early pages visible under soft light.
Guide

Do you need a prologue? How to tell

Most prologues are unearned hedges against a weak chapter one. Here is a concrete test for whether yours is the rare exception that actually earns its place before the story starts.
5 min read
A curved row of white dominoes standing upright on a dark reflective surface, poised to topple one into the next.
Craft

The difference between plot and story

A draft can be packed with events and still feel empty. Here's why plot and story aren't the same thing, and a fast way to test which one a scene is actually doing.
5 min read
A pocket watch resting on the open pages of a book
Guide

Present tense vs past tense: which should your novel use

Past tense narrates after the fact and lets a story breathe. Present tense removes that distance and raises the stakes on every page. Here is how to actually choose between them.
5 min read
A black twin-bell alarm clock set against a plain white background
Craft

The difference between tension and suspense

Writers use these words interchangeably, but they run on different mechanics: one depends on a secret the reader is given, the other on a fight neither side will walk away from.
5 min read
A single silver pocket watch resting on a wooden table
Craft

Chekhov's gun, and when it's fine to ignore it

The rifle on the wall doesn't always need to fire. A case for leaving some planted details alone, and a clear test for the ones that actually owe the reader a payoff.
5 min read
A close-up of a person reading a book
Guide

What is deep POV, and how to write it

Deep POV means writing third person so close to a character's mind that filter words like she felt disappear, replaced by the character's own voice on the page.
5 min read
A close-up stack of well-worn paperback books
Guide

How many words is a novel? A guide by genre

Word count expectations aren't arbitrary. They come from printing costs, shelf placement, and reader habit, and missing them by a wide margin can sink a submission before anyone reads page one.
4 min read
An open book on a wooden table, warm toned and softly out of focus in the background
Guide

First person vs third person: how to choose your novel's point of view

A practical breakdown of what first and third person actually do to a reader, with a scene rewritten both ways so you can see the difference before you commit to 80,000 words of it.
5 min read
An open book lying in green grass scattered with yellow autumn leaves
Guide

Show, don't tell: what it actually means

Show, don't tell gets repeated so often it stops meaning anything. Here is what the advice actually asks you to do, and where telling is the better choice.
4 min read